Actors: John Abraham, Rakul Preet Singh, Jacqueline Fernandez, Rajit Kapoor, Kiran Kumar
Director: Lakshya Raj Anand
Rating: 2.5 stars (out of 5)
Science and magic – the two main components that are ubiquitous Attack – demands a willing, and complete suspension of disbelief. It’s easy to make peace. Importantly, to the appreciation of inaugural director Lakshya Raj Anand, the hostage drama quickly ceased to be an all-out and horrific attack on the senses.
John Abraham, who is also one of the film’s producers, plays the character of an incapable Army Major who is revived by a computer chip and turns into a super soldier programmed to face terrorist masterminds to reduce the Indian Parliament building to rubble.
The two-hour sci-fi thriller story is credited to the lead cast. The hero plunges into a mission to save the country alone from a group of violent men from across the border even as political organizations and military think tanks move in different directions.
Attack inevitably served a generous dish of nationalistic spirit, but it was refreshing and largely reduced from the kind of loud battle cries that came with the province. Moreover, enemy countries are not mentioned even once even though the names borne by the terrorists make their relationship with a particular enemy country clear.
The hero’s target appears in his view early enough in the film for the confrontation to take a large part. The fire in the man’s stomach propelled him and the glowing computer chip in his neck gave him the power to face the most terrifying adversity.
The Hollywood thriller film from 35 years ago, Robocop directed by Paul Verhoeven, came to mind. It’s about a Detroit police officer who is badly injured and turns into a powerful cyborg. The Attack The protagonist’s wounds don’t kill him and he also doesn’t turn into a heartless machine designed to counter violence with greater violence.
While life changes for him, Captain America’s Indian equivalent continues to be a flesh -and -blood man equipped with cards that give him extraordinary powers. When he commits a massacre, he, like the greatest superheroes and humanoids ever before, is almost unstoppable.
Attack focuses on the metamorphosis of a man who is unable to move due to severe injuries sustained during a terrorist attack at an Indian airport. Not only was a pair of his spines so badly damaged that he was confined permanently in a wheelchair, the incident also robbed the woman he loved (Jacqueline Fernandez).
Accidents seem to continue in the life of Major Arjun Shergill (Abraham). He proves his mettle in the opening sequence of extracting the dreaded terrorist from the last hideout. Ten years later, he was in the right place at the right time. She saves a waitress from a great fall. The act culminates with an unwanted kiss – a cheap first encounter.
Love sprouts before tragedy strikes. A miracle in the form of a super soldier program run by a brilliant young scientist (Rakul Preet Singh) under the auspices of the fierce Subramanian defense ministry officer (Prakash Raj) not only frees the Major from a wheelchair but also gives him a new purpose in life.
Once he has transformed into an invincible futuristic cybernetic warrior, a series of action sequences take place. It’s all rooted in the sensitivity of video games that turn human actions into the form of extensive mechanical shots. Attempts to fill the void with emotional attraction – remember that the hero is human after all and has suffered a tragic personal loss that continues to haunt him – do not yield the desired result.
Moreover, despite the tense story and sharp editing by Aarif Shaikh, Attack doesn’t provide the level of relentless and nail -biting fun expected from a film like this. Certainly not consistent enough.
The cinematography (Will Humphris, PS Vinod, Soumik Mukherjee) is very smooth, but the visual impact is of unpredictable quality and has room for improvement. Given that we already know that a sequel is on its way, is it possible that we can expect a better performance on this front in the future?
The action heroes in popular Indian cinema have always consisted of armed soldiers who crush groups of armed enemies no more than just taking a walk in the park. In Attack, a prototype of a larger -than -life fighter wearing a semi -scientific cloak. His immunity stems from a successful experiment in the defense ministry’s R&D laboratory.
The Parliament attack in the middle of the film begins in the first half and lasts throughout the second half. Attack has no scope or space, therefore, for any diversion except when the super soldier’s mind is lost and remembers the trauma of the terrorist attack that caused him hors de combat.
What happened, the super soldier asked, if I couldn’t distinguish between dream and reality. You will experience a deep coma, the scientist warns. The question is also often directed at IRAs (smart robot assistants), which, ala Siri and Alexa, serve as an ongoing guide and data provider.
Before the hero enters the besieged Parliament building, he gives a glimpse of what will happen when he is confronted by a thief who breaks into his house and steals his mother’s ring (Ratna Pathak Shah). Nehru’s place in New Delhi became a battle zone for a warrior testing his skills and strength for the first time. He came out brilliantly, but it affected the well -being of the mission he was assigned.
The hiccups along the way, both small and large, baffle the pitch but given that our hero is an insurmountable force, a level of predictability seeps into the proceedings. The villain (played by Afghan-born British actor Elham Ehsas) did nothing that could surprise us as he held hundreds of people hostage and threatened to exterminate them one by one if his demands were not met.
The interior minister (Rajit Kapoor), the army chief (Kiran Kumar), Subramanian and other officials in the war room clashed with each other as tensions escalated and the wheels of violence withdrew.
For the lead actor, Attack is an opportunity to come out all out with action metaphors. Prakash Raj also has all the ammunition needed to shoot all the cylinders. But actors who play other main characters, including Rakul Preet Singh as the creator of the super soldier, are burdened with underwritten roles.
Attackas it facilitates the science of heroism, there are certainly moments, but it can be done with a few more.